Hi all! Somehow I rarely get around to the Jukebox, so here, belatedly, are two recent releases.
What is a Fensky Jukebox? This is a half-podcast, half-video series in which I talk about.. any my favorite music. The key here is any. That is, there will be (or already are) stories about soporific ambient music, about wild punks, about avant-garde jazz, about something very close to the classics and something infinitely far from it. Will many, different And subjectively.
It so happens that there are now two issues. The first is dedicated to neo-classics, all sorts of Max Richters, Fabrizio Paterlini and Bruno Sanfilippi. The second – to the domestic crazy group "Biopsychosis".
Second issue, available only on VK.
Best comments
I felt like a Half-Life fan, and Vanya Valve) Just as fans are waiting for HL3, I’m waiting for the entry “GRID THIEVES HIDDEN FROM THE INFINITE SHADOWS OF THE COLOSSIA”)
I think I don’t need to explain why, I hope it’s too long)
Great things for great people,
The Abysses are for the Deep,
Tenderness and trembling horror for the Sensitive..
But in general, everything rare is for the Rare.
Recording in progress. Just sewing all the https://nonukgamblingsites.co.uk/review/spinscastle/ individual pieces that came out in these 13 hours is far from the easiest task when I’m constantly working on something else
In general, everyone listens to what the mind likes best.
You don’t have to perceive music at all if it doesn’t have what you need.
On the other hand, not to perceive does not mean to criticize and hate. You can be quite neutral.
AAAAAAA, I see! You are still sewing something and all 13 hours? I thought you recorded 10 hours, then Max started streaming. I thought you’d throw it like that)
That’s it then, keep quiet)
Fen, could you write down the names of the neo-classical artists you mentioned but didn’t talk about??
Who wants it in podcast format – mp3 track (Fen gave the go-ahead):
yadi.sk/d/1tpGy_yo4uu76
yadi.sk/d/WP72FwaG4uxxc
“Somehow I rarely get around to the Jukebox”
I assumed that the release would include On the Nature of Daylight and I was not mistaken. 🙂 Indeed, an unrealistically sad and soul-touching track so much that I don’t even know if there is anything else similar and equivalent in terms of music in the world.
Subjectivism in response to subjectivism. 🙂 I will note within the framework of my opinion that not all neo-classics are really catchy. For example, from creativity Fabrizio Paterlini I only liked three tracks Max Richter two, y Yann Tiersen three tracks, Robert J. P. Oberg one and the same in an incomprehensible status, he seems to like it, but he doesn’t seem to like it. Neo-classical is a very good genre, it just can be a little difficult to listen to. Individual tracks are listened to quickly and are not remembered after listening. Others may seem very strange within the framework of neo-classics.
For example, after the first memorable Jukebox, I added Richter to the playlist. Quite beautiful sad music. I thought at first, but the further I listened, the deeper I went into the atmosphere of irrevocable sadness and melancholy, and by the end of listening I was already tired of both the violin and the motifs being played, since the music was very monotonous, and my head was already a mess.
Or another example, Sanfilippo. At first I listened to his music quite well, then to my surprise ambient tracks began to sound. And in the end Bruno flew away from the classics into the ambient-instrumental-electronic steppe. Alas, I didn’t have the stubbornness of my head to understand his music. Or is it playing for me right now? Ludovico Einaudi. The first albums are very strange in terms of sound, the rest, it seems to me, will be the same.
In conclusion, I’ll throw in a couple of tracks. Maybe you’ll like them 🙂 Although you may already know about them.
Nice instrumental from Olafur Arnald and a little off-topic theme from the year before last Ambient Jukebox from David Helpling and post-rock ambient Hammock
P.S. Fen, could you write down the names of the neo-classical artists you mentioned but didn’t talk about??
Well, there were constant restarts for some reason. Therefore it is necessary to stitch. Plus there is a chance that Max will abandon his part with Grid 2.
In the modern world there are so many cultural scum that blacken the soul, such as dubstep. Neo-classic is wonderful, relevant and beautiful. Thanks to the author for the podcast!
Shutter Island is very good, in terms of the soundtrack too, but for some reason I still didn’t add it to my playlist, now I actually know who thanks to whom such music is there, and thank you for that, Fen.